György Faludy lived.

In this town, I thought to myself, Death sits among the guests at every feast and lies in bed with the lovers. He is present, always and everywhere, like in the woodcuts of Holbein’s Totentanz, but not in the same capacity. In Holbein’s works Death is the uninvited guest whose appearance causes terror and vain despair. Here, he is not regarded as a trap to be avoided by clever men. Here, they do not expect to live to be a hundred and hope to live to be five hundred. Here, no one would dye his hair and beard at the age of fifty, do gymnastics with weights every morning to remain fit. Here they know that even health does not protect against death. Here, death is a welcome guest at the table of friends and when he sits on the edge of the lovers’ bed he does so only to inspire them to even more passionate embraces.

My Happy Days In Hell